Historic Events and Festivals
Nadia Azzi (at age 13) at the Straz Center for Performing Arts, Tampa Fla
Nadia has become this year's Tampa Bay
Symphony Young Artist Competition Winner, and will be
performing with the orchestra on April 22nd (4 pm), 24th (8 pm), and
25th (8 pm). The details can be viewed as follows;
Photo by Bill Ross on 20th March, 2012
Lang Lang's first complete Beethoven Piano Concerto cycle in London
Heralded as the 'hottest artist on the classical music planet’ by the New York Times, 29-year-old Lang Lang has played sold out recitals and concerts in every major city in the world. In 2008 over 5 billion people viewed his performance in Beijing's opening ceremony for the Games of the XXIX Olympiad and the following year he was named as one of Time Magazine's 100 most influential people.
Following his sold-out in-the-round performance at the Royal Albert Hall in 2010, Lang Lang returns to the Hall in March 2012 to perform his complete Beethoven Piano Concerto cycle for the first time ever in London. He waill be joined by the acclaimed conductor Esa-Pekka Salonen and the Philharmonia Orchestra.
Tuesday 20 March 2012, 7.45pm
Beethoven - Overture, Namensfeier, Op. 115
Beethoven - Piano Concerto No. 1 in C major, Op. 15
Beethoven - Piano Concerto No. 4 in G major, Op. 58
Wednesday 21 March 2012, 7.45pm
Beethoven - Overture, Leonore No. 2, Op. 72a
Beethoven - Piano Concerto No. 2 in B flat major, Op. 19
Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Friday 23 March 2012, 7.45pm
Beethoven - Overture, King Stephen, Op. 117
Beethoven - Symphony No. 4 in B flat major, Op. 60
Beethoven - Piano Concerto No. 5 in E flat major, Emperor, Op. 73
Lang Lang - piano
Esa-Pekka Salonen - conductor
25 min intervals
I'm not an experienced evaluator of pianists and it has to be said that I'm not sufficiently learned or technically advanced to be able to tender much of a critique as far as Lang Lang's performance is concerned, but I can tender my observations from the point of view of an audience member I guess.
On the first night (20th March), I had a reasonable seat close to the stage and at ground level. For this I paid almost sixty quid, or as it is becoming universally known, 60 GBP (I hate this Great Britain Pound nonsense). Despite being close to the stage, I wasn't able to get good photos of Lang Lang because he wouldn't stand still for long enough, so what I do have are motion blurred (see below). It wasn't permitted, nor would it have been appropriate to use flash on the camera, so in the available light, the shutter speed is relatively low, hence the movement. As the photo below suggests, when Lang Lang was actually playing, he was virtually out of shot to me because the piano's raised top was blocking my view of him.
As I looked up the five floors to the circle, I thought there was no way they could hear anything - the hall is huge and the people are a mile high, but the following night, the much cheaper seat that I'd purchased placed me up there and although the view was bad and the seats extremely uncomfortable, the sound of the piano and orchestra was every bit as good as it was at ground level. The piano was of course, the ubiquitous Steinway Model D. Some model D's sound nicer than others and this one sounded extremely beautiful; but no wonder; I saw it being tuned four times. The technician was tuning it when I arrived and he did it again during the interval - same the following night.
View from the ground on Tuesday The only half decent shot of Lang Lang I could get
The hall was
originally meant to be called 'The Central Hall of Arts and Sciences', but
Queen Victoria was having none of that. When she lay the foundation
stone as a dedication to her late husband, Consort Prince Albert, she
named the hall, The Royal Albert Hall of Arts and Sciences. The Albert
Memorial is directly across the road (Kensington Gore) from the hall.
I've been to a
wide range of musical genres at this hall, ranging from a Tchaikovsky
night, to the BBC Proms, to an organ recital and even a pop concert by
Siouxsie and the Banshees in 1988.
I believe I heard Lang Lang say that this is his favourite concert hall
in the world. Indeed, whenever he's in it, it's always full. When he
did his solo concert in 2008 one Sunday afternoon (I was there), it was
said that this concert amassed the largest audience of any concert in the
Albert Hall. On that occasion, Lang Lang did what had only ever been
done once before and that was by the Russian, Evgenny Kissin back in 1997, he gave a solo
recital at the BBC Proms. It's a pity there isn't more of this because
it represents value for money from a pianist. Usually, pianists come on
stage, play one concerto then go home, leaving the audience to be
entertained by the orchestra for the rest of the evening, whereas with
Lang Lang and Evgeny Kissin, the entire programme consists of just the pianist.
Even on the occasions of this week, Lang Lang played two concertos per
evening. They were Beethoven one and four on Tuesday and two and three were
on Wednesday. It seems clear
to me that many people in the auditorium on both nights that I was
there, had either never been to concerts before or had only ever seen
Lang Lang at his solo recitals because they seemed to be unaware of
concert etiquette. They were applauding after each movement. The members
of the orchestra and the conductor appeared to be less than pleased
about this and I must say, I haven't encountered it very often
previously. There was one disturbing moment last year (2011) at Lang
Lang's Massed Piano Event in the Royal Festival Hall when a ten year old
girl called Faye Evans was playing the Chopin Nocturne No. 20 in C sharp
Minor; half way through the piece, the audience thought it was all over
so they started to clap. Then the girl continued to play and I was
amazed at how she kept her nerve and calmly proceeded through that. Full marks to Faye
(whose page is on this site somewhere).
How is Lang Lang
changing with time? I think he's - what can we say, growing up,
maturing somewhat. I don't know if I'm overly enamoured by that. Perhaps his
playing is maturing but I quite liked his trendy image of earlier times.
Now, gone is the spikey hair, and so are the chat breaks with the audience,
also gone is the encore. Although the crowds on both nights were calling
for more, there were no Chopin Etudes or Nocturnes thrown in as a bonus,
something we'd gotten used to previously.
I always saw
Lang Lang as an escape from the stuffiness that accompanies classical
piano and has done since the beginning of time. It's a snob's paradise
and I, being a lowly working class guy whose father was a coal miner
with no musical interest whatsoever, feel like a fish out of water when
I'm in it. I rub shoulders with people whom I never previously dreamed
I'd ever share the same building with. I suppose this image volte-face is the future
because I am tempted to believe that most, if not all of the children
whose pages comprise this website are in no way snobbish, in fact, from
what I observe, they are the nicest kids that anyone could ever wish to
meet; no airs and graces, no 'look at me I'm better than you' nonsense.
View from the circle on Wednesday
suspect Lang Lang has been instrumental (pun!) in turning this corner
because he has become an idol to millions of children and young people
around the world. He was pulling classical piano away from all that class supremacy that was espoused by the likes of Baremboim and those who arrange piano competitions such as the Leeds. It might be true to say that he is the most popular
musician of any genre on the planet today, possibly even more popular
than the Beatles were in the 1960s.Who would have thought this - a Chinese guy who plays western classical music on pianos could be more
popular than any rock or pop musicians from the western world. I was
amazed at the number of young Chinese girls in the Albert Hall on both
nights. Only a few years ago, the playing of western music was a criminal offence in China.
When I first saw Lang Lang, which was the solo Prom, he was heavily castigated by the critics of newspapers such as the Daily Telegraph, who pulled no punches when they bemoaned his flamboyance and trendy proclivity, so I hope he is not aiming to succumb to this manipulation attempt. After all, the real critics are the audience members and they keep turning up in droves, so who cares about the newspapers?
What is my final preference of concert styles of Lang Lang? Well, it's a tough one
because, as I said, he performed two concertos on each of the two evenings I was there, so even by doing this, he still gives value for money,
viz. a good evening's entertainment, but if I had to choose, I think I'd
prefer the solo shows. Maybe I'd like to see Evgeny Kissin do one too,
because he is still touring the world doing this. He's fully booked up
with mainly solo recitals until October 2014. I'll have to catch him at
London's Barbican Centre in November this year if I'm to enjoy such an
experience. Furthermore, it was nice to see Lang Lang's dad who came on to play a couple of pieces with him. He was playing some strange looking ancient Chinese fiddle of some sort, but what it shows is that the relationship between Lang Lang and his dad is good and forgiving - no grudges carried over the rift of earlier years. ... Bill Ross
My concert trip to Arizona!
Hi, everyone! Welcome to my blog about trip to Arizona! I stayed at a wonderful hotel called Phoenician. Arizona has really nice weather and lots of cactuses. I really enjoy staying here and I had a lot of fun! I performed here last night at the camelback ballroom. They provided me a beautiful Steinway grand piano. I was so glad that everyone enjoyed the concert. I had a lot of fun performing! I also got to attend an after the concert party and played games of air hockey with Mr. Bill. He is really nice!
And I had a pizza with Dany, my friend. The concert was so exciting with really great audiences! I REALLY loved playing for them! I really wish I could see them all again. And I definitely want to visit here again!
Naomi Druškić To Represent Bosnia-Herzegovina
Bosnia-Herzegovina will take part in the Eurovision Young Musicians competition for the first time this May in Vienna, and they've already picked their representative.
13-year old Naomi Druškić, who hails from Sarajevo, has been selected to represent Bosnia-Herzegovina in their first ever participation in the Eurovision Young Musicians competition. Naomi, who will play the piano, was selected by a Radio Television of Bosnia-Herzegovina together with the Music Arts Foundation of Bosnia and Herzegovina.
“I would like to thank BHRT and Music Arts Foundation. I am glad to represent Bosnia and Herzegovina at European musical talents competition in Vienna. I will try as hard as I can to justify the trust placed in me and to represent our country in the best possible way” she said, talking about her selection.
From Banja Luka and Belgrade to Singapore and Italy, Naomi has won numerous international awards during her short career. She first began playing the piano aged six, and made her first appearance with the Sarajevo Philharmonic Orchestra aged just seven. She has held concerts in the USA, Singapore, China, Croatia, Germany and Italy. She has also had noticeable appearances at Baščaršijske noći festival and Central Music Conservatory in Bejing, whilst also appearing in Washington at the Kennedy Auditorium.
At the end of 2012 she will perform with the Royal Phillarmonic Orchestra in London for the film “Earth Chronicles” by special invitation of John Brynata, making it a big year for Naomi Druškić with the Eurovision Young Musicians competition in May.
Forthcoming performances in 2012: Nadia performed at Carnegie Hall on 2/4/12 (4/2/12 in British English) and will perform a Beethoven Concerto with Tampa Bay Symphony in April after winning the Young Artist Competition.
Nadia in late 2011
Nadia has become the 1st place winner at the Crescendo Int'l
Nadia performed to over a thousand people in Montreal on Saturday,
17th December 2011.
Piano Stars Festival presentation concert in Riga (Latvia)
The XX International Piano Stars Festival anniversary celebration will begin with a presentation concert on March 9, in Riga, the Great Guild Hall. One of the festival concerts will take place also in Ventspils, Theatre House Juras Varti on March 14. The rest of the concerts will as always be held in the Liepaja Theatre.
In the festival opening concert, which will take place on March 9, in Riga, the audience will have unique opportunity to hear three outstanding pianists - Brigitte Engerer from France, Anton Lyakhovsky from Russia and the little genius - 11 years old Umi Garrett from the USA. The Liepaja Symphony Amber Sound Orchestra will be conducted by Atvars Lakstigala. Two days later, on March 11, this concert will also take place in the main location of festival – the Liepaja Theatre.
Uldis Lipskis, manager of the Liepaja Symphony Amber Sound Orchestra, proudly tells that: "During anniversary of the International Piano Stars Festival for the first time we will take a representation concert to Riga. The program of this concert will represent the essence of the whole festival - classical values, retrospection and a look in the future. Brigitte Engerer and Anton Lyakhovsky were especially beloved by the audience of previous festival concerts, Umi Garrett - the youngest participant in the history of this festival. During this concert, both youth and maturity, rich past and hopeful, intriguing future of the festifal will meet in the music of Mozart, Sen-Sans and Tchaikovsky.
This year citizens of Ventspils will have a chance to enjoy performance of the wonderful Belarussian duet by Natalia Kotova and Valery Borovikov from the program of the International Piano Stars Festival. In concert “Theatre. Love. Jazz.”, which will take place on March 14, in Ventspils, the duet will perform on two concert grands at the same time, which is a rare occasion in the concert life of Latvia. The audience in Liepaja will have an opportunity to hear this concert on March 15.
"We are always happy to collaborate with such persistent partner as Ventspils that just wants to make sure its audience has at least a glimpse of the magic of this festival," tells Uldis Lipskis.
As announced before, the International Piano Stars Festival, which has been organised by the Liepaja Symphony Amber Sound Orchestra since 1993, will celebrate its 20th anniversary this year.
The Verbier Festival, created in 1994, rapidly acquired a reputation for artistic excellence and is now considered to be among the major European music festivals. During a fortnight each July, the greatest stars of the classical music world come together against the magical backdrop of the Swiss Alps.
The Verbier Festival gives musicians the opportunity to perform original programmes with fellow musicians they admire, but with whom they may never have performed before. These world première performances produce innovative and exciting results, as much for artists as for audiences.
In addition to artists of international renown, there is plenty of room for the artists of tomorrow. Through the Verbier Festival Academy and the Festival’s youth orchestra, talented young artists from all over the world participate in a creative exchange with the grand masters.
The result is a unique and convivial festival experience for some 40,000 concert-goers.